So great to see Buxton in Shawshank redemption.
Below are some images from the film.
Shawshank redemption chronicles the experiences of a formerly successful banker as a prisoner in the gloomy jailhouse of Shawshank after being found guilty of a crime he did not commit. The film portrays the man’s unique way of dealing with his new, torturous life; along the way he befriends a number of fellow prisoners, most notably a wise long-term inmate named Red.
“Fear can hold you prisoner. Hope can set you free.”
Andy and Red’s opening chat in the prison yard, in which Red is pitching a baseball, took nine hours to shoot. Morgan Freeman pitched that baseball for the entire nine hours without a word of complaint. He showed up for work the next day with his arm in a sling.
When Andy goes to the library to begin work as Brooks’ assistant and Brooks’ crow, Jake, is squawking, Tim Robbins had to time his line, “Hey, Jake. Where’s Brooks?” so that the crow wouldn’t squawk over him, since the bird could not be trained to squawk on cue. Robbins was able to adapt to this and time his line perfectly by learning the bird’s squawking patterns, for which director Frank Darabont praised him. Robbins’ improvisation is noticeable as he watches the bird carefully while approaching it, waiting for it to squawk, and doesn’t begin his line until after it does so.
When Red’s (Ellis Boyd Redding) parole form is stamped by the parole board, the typeface on the form is called American Typewriter which was not invented until 1974. The typeface is also not monospaced as a manual typewriter would, meaning it was most likely printed by a modern computer.
Andy is introduced to the library by Brooks in 1949. Brooks points out a Louis L’Amour section, but L’Amour’s first book under his own name wasn’t published until 1953 (he had written a series of Hopalong Cassidy novels in the late 1940s under the name Tex Burns), and didn’t produce enough books to warrant his own section until the 1960’s. He was still somewhat known having written many short stories for pulp magazines, but these featured many writers and stories. Brooks also points out a section of Reader’s Digest Condensed Books, which were first published in 1950.